Lindsey DeWitt Prat, PhD

Academia

technology & society・religion・space・cultural heritage・gender

Asia・Japan・the world

bringing the world into view, amplifying global and local voices through research

Lindsey presenting Ethnographic LLM Research in Africa on a conference stage.

AI & Global Languages and Cultures

My current research examines how AI systems behave across languages and cultural contexts—what gets measured, what goes missing, and who decides. With collaborators across four continents, I study how and by whom AI systems are designed, evaluated, and deployed globally. My essays on philosophy and AI take up the philosophical assumptions baked into current technology systems and the world of possibilities at our avail.

A stone stupa and an engraved stele barring women from entry beyond that point, set among slender trees beside a tile-topped wall.

Gender Exclusion (aka The Female Taboo)

Who defines and maintains gender divisions, and to what ends? How do gendered exclusions change over time (or not)? These core questions have long motivated my research on gender exclusion in Japan, an active cultural debate and political issue today. By gender exclusion I primarily refer to the prohibition of women and non-male individuals from physical places and social spaces as a condition of religion and/or tradition.

Read my work →
A large engraved stone at Tōdaiji marking the World Heritage Historic Monuments of Ancient Nara, with cherry blossoms overhead and deer resting nearby.

Cultural Heritage

How does (an idea of) the past inhabit the present? This area of my research probes the interplay between tradition, cultural heritage and religion. Specifically, I’m interested in the rise of “tradition” (dentō) within Japan’s experience of modernity, the postwar refashioning of religious sites and practices as cultural “assets” (bunkazai), and the allure of cultural heritage designations, especially UNESCO World Heritage (Sekai isan) recognition.

Read my work →
An empty sumo arena with the raised clay dohyō ring at center, ringed by cushioned seating, brooms resting at its base.

Japanese Sumo Wrestling

Few icons of Japanese culture are more widely recognized than the sumo wrestler. He sports a loin cloth and a slicked back topknot. His hulking body is poised to engage. And the sumo wrestler is always a man, in the popular imagination at least. What happens when we peer behind the larger-than-life icon and unpick the fantasies surrounding sumo?

Read my work →
A shopfront window in a pilgrimage town hung with paper lanterns, a cat mask and local goods inside, and Lindsey's reflection in the glass as she takes the photograph.

Check out my research and life in Japan
blog archive (2007–2022) and my media and image galleries.